réalisateur

producteurs

studios

  • 20th Century Fox
  • 21 Laps Entertainment

distributeur

  • 20th Century Fox

Bandes-annonces & Images

Revues de presse

Médiafilm

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La réalisation atone et piétonne, ainsi que l'interprétation en mode mineur des quatre vedettes, aggravent le bilan.

Médiafilm Lire la critique complète

The New York Times

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The movie builds to a human-versus-alien showdown so sloppily staged that it makes little visual sense. The bargain-basement pyrotechnics suggest that much of The Watch was filmed on autopilot on a strict budget.

Stephen Holden Lire la critique complète

Joblo.com

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I laughed a few times, and I'm sure it's not a bad watch on Netflix on a rainy Sunday afternoon. At least the R-rating gives it a little raunch, although other than some brief nudity and scattered f-bombs, the rating seems to be mostly for gore, which is a waste. Overall, this isn't a really bad movie - rather, it's just a mediocre one.

Chris Bumbray Lire la critique complète

Cinema Blend

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Schaffer has yet to transition his creative eye to a feature-length effort, and those hoping The Watch finally was going to be his breakthrough comedy will be forced to keep waiting a little while longer.

Sean O'Connell Lire la critique complète

Rolling Stone

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They're funny guys, and their bud Seth Rogen helped write the script. And yet the laughs rarely come as the actors shout their lines as if the script were written in ALL CAPS.

Peter Travers Lire la critique complète

The Hollywood Reporter

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It's not likely that a big-screen alien invasion has ever felt less urgent.

Sheri Linden Lire la critique complète

Agence QMI

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Alors oui, puisqu'il en faut un de temps en temps, Surveillance est le film à éviter au cinéma, vous pourrez toujours vous reprendre quand il passera au petit écran et vous ne serez pas en colère d'avoir dépensé de l'argent pour si peu de chose.

Isabelle Hontebeyrie Lire la critique complète

USA Today

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What is most disappointing is that so much comic talent is wasted in this generally humorless movie.

Claudia Puig Lire la critique complète